The Blossoming of the Burgundian Spirit in Song, 1390-1440
Just like the shy lover who is knocked off their feet by a merest glance from the object of their affections, the music of the first generation of Burgundian composers at the end of the ars nova is infused with the sweetness and explosive passion of new love. Asteria’s latest program, “un tres doulx regard,” is the result of extensive archival research during their sabatical year in France in 2006/2007. Largely drawn from anonymous or unattributed compositions from the last decade of the 14th century and very beginning of the 15th, this body of work constitutes the generation of “Dufay’s teachers”, and contains many of the elements that will later be the hallmarks of the mature Burgundian style that swept Europe during of the middle of the 15th century.
Friday, August 14, 2015 – evening
“Of a Rose Singe We” / Chansons and motets from the time of Margaret of York and Charles the Bold
Maison Saint-Jean d’Angély
Wednesday, September 9, 2015 – 5:00 PM
Lecture/Demonstration – “In Search of the Lost Song”
Seminar Room 1101, 11/F Run Run Shaw Tower, Centennial Campus
Info: University of Hong Kong
Living a Dream in Burgundy
-The New York Times
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-Mark Cudek, Peabody Conservatory